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Year: 2012

Lessons learned from Hurricane Sandy, on the digital front

No greater a test of our resolve and our preparedness exists than a true trial by fire, and the past two weeks have been living proof of this. There isn’t any way to overstate or exaggerate it. Hurricane Sandy devastated New Jersey, New York and other sections of the East Coast, taking away lives, homes, power, and safety. It could take years before a sense of normalcy is restored for the lives of those most impacted, and as has been stated by many officials and news outlets: it will never be the same.

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RUcore, Digital Video, and the China Boom

Recently, members of the Rutgers University Libraries at both integrated Information Systems and the Scholarly Communication Center began an auspicious collaboration with the Asia Society in New York City, in our first project to digitally preserve, to standards, their digital video archive for The China Boom Project.  It is the first time that RUcore has […]

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Digital preservation goes rogue: ArchiveTeam scrapes the web to preserve heritage

One of the big problems with the web is its inherent lack of permanence. There is no formal archiving structure, and like anything digital, it’s very easy for something deemed important by someone to just disappear overnight, with little or no notice.
Now it appears that, for better or for worse, a grass-roots group of rouge archivists are working to do something about it… whether we like it or not.

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New high-resolution displays will push the envelope for image quality

Today, all eyes on the tech world were focused on Apple, who as expected, wowed onlookers with its yearly sneak-peek of what’s to come from Cupertino. And among those announcements came a bombshell for those of us in digital imaging. A major product announcement came in the form of high-resolution, near-print quality image displays that […]

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Indiana University Moves Forward with its Media Preservation Initiative

The Media Preservation Site at Indiana University – Bloomington (IUB) makes its message plain and clear the moment you first set your eyes on it: “Our History is At Risk.” Home to at least 3 million media objects, including sound and moving image recordings, photos, documents, and artifacts, IUB has come to grips with the issue at hand: a great deal of their heritage is locked within obsolete electronic and analog playback formats for sound and moving images. And they’re doing something about it.

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