If you have any Kodachrome Film stashed away, the last days to get it developed are at hand.  According to Dwayne’s Photo, the last commercial developer of the film format, they will be developing their last received rolls of Kodachrome film on December 31, 2010.  After this date, their remaining equipment to handle this type of film will be shut down forever, and discarded.  Per the statement on their website:

The last day of processing for all types of Kodachrome film will be December 30th, 2010.  The last day Kodak will accept prepaid Kodachrome film in Europe is November 30th, 2010.  Film that is not in our lab by noon on December 30th will not be processed.

Read the rest of this entry »

Although Rutgers University Libraries has had digitization standards in place since 2006  for the RUcore object types we currently handle, the documents were often hidden deep in places where they weren’t easily found.  This made it hard for members of the public, and other people interested in finding a resource for how best to digitize to find out what we’re doing.

Additionally, the documentation was getting a bit long in the tooth; some of the proposals hadn’t been looked over in years, some still had “Draft” markings even though committees have reviewed them and we’ve already been carrying these procedures out, and in a couple of cases the documentation has been superseded by technology advances, and doesn’t match current practice at all.

For this reason, we’ve been engaged in a review of these standards and are revising where needed to make them reflect current best practices within RUcore and the Digital Curation Research Center. Additionally, I’ve created a “home” for the complete set of documents here:

• Digital Curation: Current Digitization Standards

The link to these standards are also available on the upper-left corner of this blog, in the navigation bar.

We hope that keeping these standards in one place will greatly benefit other curators and those who need a place to get started digitizing and preserving works.

Some major policy shifts came out of the Library of Congress today that fundamentally changes how the Digital Millennium Copyright Act (DMCA) is applied and enforced.  This decision making is part of a three-year cycle in which the Librarian of Congress and the Register of Copyrights hear from the public and review policies regarding enforcement of the DMCA.  According to the Librarian of Congress’ statement:

Section 1201(a)(1) of the copyright law requires that every three years I am to determine whether there are any classes of works that will be subject to exemptions from the statute’s prohibition against circumvention of technology that effectively controls access to a copyrighted work.  I make that determination at the conclusion of a rulemaking proceeding conducted by the Register of Copyrights, who makes a recommendation to me.  Based on that proceeding and the Register’s recommendation, I am to determine whether the prohibition on circumvention of technological measures that control access to copyrighted works is causing or is likely to cause adverse effects on the ability of users of any particular classes of copyrighted works to make noninfringing uses of those works.

For this cycle, some rather significant rulings were made that are decidedly consumer-friendly and archivist-friendly.  In particular, the Register touched on:

• Decryption of DVDs for fair use. Commercial and other video DVDs that are protected by the Content Scramble System (CSS) may now be lawfully decrypted, and the copy protection circumvented, for Fair Use purposes.  This includes extraction of short pieces for comment or criticism, educational uses in college and university settings, documentary filmmaking, and noncommercial videos.
• Video games and computer programs. Recognizing that preservation of old, obsolete software packages like applications and video games can require some circumvention of anti-pirating schemes, it now appears that the LoC is giving some leeway here.  It is now legal to crack DRM on legally-obtained  games and software “when circumvention is accomplished solely for the purpose of good faith testing for, investigating, or correcting security flaws or vulnerabilities.”  It is also legal now to bypass protection measures where security dongles are required if the security measures “prevent access due to malfunction or damage and which are obsolete.”
• eBooks. With some formats heavily protected by DRM measures, potential eBook buyers are often frustrated by an inability to transfer their legally-purchased content across platforms, and the blind are often thwarted in their attempts to use software that will allow this content to be read to them.  Today’s decision partially relieves this angst.  In cases where no other alternative exists, the LoC has deemed it legal to bypass Digital Rights management for eBooks for the purpose of enabling text-to-speech.
• Mobile Devices and Wireless Phones. This part of today’s decision deals specifically with a smartphone user’s right to load “unauthorized” or modified operating systems on their mobile devices, in particular, the practice of jailbreaking on Apple iPhones.  The LoC has ruled that this activity does fall under Fair Use.

This decision has been over a year in the making, and the next review cycle is less than two years away, at which point these decision may be revisited, or possibly even more DMCA exemptions will be laid out.

The official announcement and accompanying documentation can be found on the US Copyright Office Website here.

With over 12 billion 140-character messages and growing, Twitter has exploded onto the social networking scene since the first Tweet ever posted roughly fours ago.  Those tiny text-based messages add up: That’s an estimated 1.5 terabaytes of data, and growing!

It looks like the Library of Congress sees the social impact and significance of the medium, and even believes there is a potential academic treasure trove waiting to be unearthed within this mass of single-sentence missives.  And so, the LoC has announced – via Twitter, of course – that it has acquired the entire Twitter archive.

That’s right. Every public tweet, ever, since Twitter’s inception in March 2006, will be archived digitally at the Library of Congress.

…

So if you think the Library of Congress is “just books,” think of this: The Library has been collecting materials from the web since it began harvesting congressional and presidential campaign websites in 2000. Today we hold more than 167 terabytes of web-based information, including legal blogs, websites of candidates for national office, and websites of Members of Congress.

Twitter also made its own announcement via its blog:

It is our pleasure to donate access to the entire archive of public Tweets to the Library of Congress for preservation and research. It’s very exciting that tweets are becoming part of history. It should be noted that there are some specifics regarding this arrangement. Only after a six-month delay can the Tweets will be used for internal library use, for non-commercial research, public display by the library itself, and preservation.

The specific details of the arrangement are still a bit sketchy, and I do have some questions about how this will play out.  For instance, there’s not much direct mention of whether this archive will include the numerous photos and videos that are frequently linked to users’ tweets, but are often hosted via third party add-on sites such as TwitPic and Posterous.  A lot of Twitter users tend to use the platform as a springboard towards linking to websites and other external content, the permancnce of which can be pretty dubious.

This is still a very promising start though, and hopefully the archived twittersphere will in fact prove useful to researchers in the future.

Some may question the importance or singificane of this decision.  But Twitter isn’t just mindless banter. The LoC lists a few socially significant tweets in the archive.  Among them, the first “Victory tweet” by a president-elect.  There’s also quite a bit of historical influence that was set in motion by Twitter: political prisoners in the Middle East have used it to get their message across to followers; sometimes it was the very medium that got them into trouble, and other times it spread the word that helped set them free. Politicians in the West from all ends of the political spectrum have and continue to use Twitter to marshall their troops, as it were.  And the media have documented cases where Twitter became the source of social change in countries ruled with an iron hand, so much so that the potential outage of the service due to maintenance was once considered a serious threat to activism.  There’s PLENTY of social significance there.

If there is one thing that every organization, institution, and individual curator learns as they delve into digitally preserving their collections, it’s that digital preservation isn’t cheap.  While there are very compelling reasons for digitizing, sometimes including it being cost-effective, there are still significant startup costs and an ongoing financial commitment required to sustain and keep your digital preservation projects viable.  Planning out the initial capital outlay and budgeting the ongoing maintenance costs requires a very different funding model from traditional, physical and analog collections.

In light of this, An NSF and Mellon Foundation-sponsored Blue Ribbon Task Force on Sustainable Digital Preservation and Access was convened in 2007, to explore the problem of economic sustainability of digital preservation platforms.  Their goal is to issue “specific recommendations that are economically viable and of use to a broad audience, from individuals to institutions and corporations to cultural heritage centers.”

Their final report has been issued. and is publicly available on their site.  I highly recommend reading through the report for any curator, business, library, or educational or heritage institution that is considering a long term preservation project and needs to get a grasp on the economic realities of such an endeavor:

• Sustainable Economics for a Digital Planet: Ensuring Long-Term Access to Digital Information
  Final Report of the  Blue Ribbon Task Force on Sustainable Digital Preservation and Access
  February 2010

They also have a complete listing of their publications, including preliminary and interim reports.  And, on April 1, a Symposium to celebrate the report’s release and open discussion is being held in Washington, DC.