No more Kodachrome Film? Make your own.

A 1949 Kodachrome Slide of Shaftesbury Avenue from Piccadilly Circus, in the West End of London. Although discontinued by Kodak, Kodachrome is a well-known format by preservationists for its longevity and color accuracy over decades of time.

The announced obsolescence and discontinuation of a number of film formats by their vendors has resulted in an expected outcry from a niche of users who continue to use these older formats for their creative and artistic works. But another, more surprising result of this community outpour is a sort of grass-roots resurrection of these media, through user involvement and investment.  It happened with the Impossible Project and Polaroid film.  Now, after Kodak has signed the death warrant for the once-venerable Kodachrome format, a film enthusiast has built his own film manufacturing device.

Not a whole lot of background detail is available yet, but this photoset on flickr has been making the rounds among gadget blogs and photography discussion forums.  It depicts the “Filminator,” a homemade film manufacturing machine, intended by its creator to make a homebrew version of Kodachrome film.

According to the person who took the photos:

Can’t buy the film you want any more? Just make the stuff!

In this set you will find random photos and information on a project a friend has undertaken – a machine to make his own camera film.

Plastic and goop go in one end, and camera film comes out the other end. This is not a trivial undertaking.

Indeed.  Although it’s gotten a lot of interest from enthusiasts who obviously want to see a way for Kodachrome to keep on living in some fashion, the builder of this contraption is strictly using the Filminator for his own personal use.  No plans exist at this time to go commercial, or to sell any film stock made from it.

The Filminator is apparently working “quite well,” but so far there’s no known images online for people to assess the results for themselves.  Nor is it known whether film stock coming out of this machine has the same longevity and resiliency that the real Kodachrome was celebrated for in its time.

About Isaiah Beard

Isaiah's role at Rutgers University Libraries is to establish standards and workflow practices for the digitization and encoding of a wide array of digital assets. His background in digital preservation begins with his avid interest in photography, and in the issues facing the field as it shifts from analog film formats into an increasingly digital landscape. He has researched and developed standards for the preservation of digital assets that have been adopted by a number of prominent agencies, including the Library of Congress, NASA Jet Propulsion Laboratory, and members of the Association of Moving Image Archivists (AMIA). An advocate of free and open source software and standards, he volunteers time to projects assisting aspiring artists, photographers, videographers and musicians in using these open technologies to their advantage. Isaiah's current active projects in addition to NJVid include the Rutgers Community Repository (RUcore); and advising developers of the Ubuntu Linux project in matters relating to media format compatibility.
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